保存到浏览器 分享

欧洲的某个地方

5.0
  • 很差
  • 较差
  • 还行
  • 推荐
  • 力荐
     秋霞电影网为您提供《欧洲的某个地方》免费在线观看地址,影片主演列表、影片相关资讯、海报图片、上映更新时间、主演其他影片、 以及《欧洲的某个地方》剧情等内容。影片播放地址:如果喜欢这部影片《欧洲的某个地方》,分享链接 http://www.cqyim.com/lity/108793.html。
  • 年份:1948 地区:其它 类型:剧情 
  • 状态:HD中字 / 12-11
  • 主演:Artúr Somlay Miklós Gábor Zsuzsa Bánki 
  • 导演:Radványi Géza 
  • 简介:Somewhere in the remote region, the war ends. In the mi 详细 >
 分享

欧洲的某个地方播放列表

 当前资源由闪电在线提供 - 闪电在线
 当前资源由无尽提供 - 在线播放,无需安装播放器

欧洲的某个地方剧情介绍

Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high.  To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults.  At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to formalism for its own sake have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding.  Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form. 展开全部

秋霞电影网猜你喜欢

  • 10.0

    杀死汝爱

    丹尼尔·雷德克里夫 戴恩·德哈恩 伊丽莎白·奥尔森 杰克·休斯顿 迈克尔·C·豪尔 本·福斯特 凯拉·塞吉维克 詹妮弗·杰森·李 大卫·克罗斯 大卫·拉斯彻 菲尼斯·埃弗里 约翰·卡伦 克雷格·切斯特 

  • 9.0

    好莱坞星星女孩

    格蕾丝·万德沃尔 朱迪·格雷尔 乌玛·瑟曼 贾德·赫希 Ben Geurens 莎拉尤·拉奧 克里斯·威廉斯 艾尔·马德里加尔 萨拉·阿米尼 维克托·沃尔夫 尼基尔·派 Joey Jennings Matthew Bridges Heather Grace Hancock Elijah Richardson Geo Lee Tyrel Jackson Williams 

  • 7.0

    梅花公馆

    哈杰 都都 倪雪华 

  • 1.0

    魔王1931

    Joë Hamman Otto Gebühr André Michaud 

  • 3.0

    假面骑士电王Diend篇

    溝口琢矢 松元環季 松本若菜 秋山莉奈 永田彬 上野亮 石丸謙二郎 戸谷公人 古川雄大 

  • 5.0

    名人百态

    肯尼思·布拉纳 朱迪·戴维斯 莱昂纳多·迪卡普里奥 梅兰尼·格里菲斯 查理兹·塞隆 法米克·詹森 薇诺娜·瑞德 阿莱卡萨·帕拉迪诺 道格拉斯·麦克格兰斯 乔·曼特纳 

  • 5.0

    放飞新人生

    蒂莫·巴特尔斯 Matthias Bundschuh João Kreth d'Orey 吉泽姆·埃姆雷 乔纳斯·霍登里德尔 Nicole Johannhanwahr Enno Kalisch Tijan Marei Adél Onodi Rauand Taleb Leon Ullrich 

  • 9.0

    零八三七

    尔玛依娜 陈晔 叶剑飞 吴昊天 许仕琏 聂新源 

更多

推荐阅读

    本站只提供WEB页面服务,本站不存储、不制作任何视频,不承担任何由于内容的合法性及健康性所引起的争议和法律责任。

    若本站收录内容侵犯了您的权益,请附说明联系邮箱,本站将第一时间处理。

    © 2026 www.cqyim.com  E-Mail:123456@test.cn  

    观看记录